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Sassy tuneful nostalgia

I’m offering some short hot off the press impressions of an appearance this evening from singer-songwriter Cheryl Wheeler at the Ann Arbor Ark, which also functioned as a very belated first visit for me to the acclaimed local music venue.

Wheeler, who has long been a familiar presence on my family’s playlist, continues to shine in the live setting, treating the audience like old friends. However, this isn’t to say that she loses focus on the music — it seemed to be quite the opposite, as she worked very specifically from a (presumed) outline of songs from her catalog. She was quite generous in offering a range of personal anecdotes that mostly focused on East and West Coast experiences, whether walking with her wife and animals at Horseneck Beach in Massachusetts or driving the long haul from Seattle to California destinations (Petaluma and Santa Monica both got specific shootouts) and writing a song or two along the way. She expertly segued her narrative so that the last quarter or so of her concert focused solely on the music, after plenty of laughs and chat in the earlier part of the evening.

I’m pleased that Wheeler included “Driving Home” – one of my favorites of her recordings – and a few other of her older songs. She offered a subdued interpretation of “Aces”, another older tune, earlier in the evening, leading me to think she was choosing not to use her higher register, but later selections showed that range to still be in place and in excellent form.

Of course I also appreciated the strong New England feel of the concert. She even included her song “When Fall Comes to New England”, which was a frequent sight on my iPod playlist for a time, most notably during a series of driving commutes in Western Massachusetts in the summer and fall of 2007.

She got the most reaction out of the (nearly sold out) crowd before her final song, which she humorously prefaced with a “fake final” song of her fan favorite “Potato” (yes, that’s the song name) – explaining that she doesn’t like the forced tradition of the singer leaving and then being called back to the stage for “…just one more.” And so she proceeded with the most heartfelt tune of the evening (wish I knew the name) written in honor of her father’s 75th birthday.

Although some might say that Wheeler flies under the radar in her music career, she seems just fine with that and willingly capable of doing whatever she wants with her music, with a loyal and appreciative fan base that is right there cheering her on.

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