Last Friday night I enjoyed a belated first visit to Hamtramck, Michigan’s Planet Ant Theatre, a small venue that has an ambitious slate of provocative plays. As sometimes happens, I’d wanted to go to this theatre earlier on and didn’t. But it was rewarding to be able to make the time to attend the Opening Night of this particular production.
The publicity materials for the show take care to spell out the basic premise of the play (what if a trio of protagonists from some of Shakespeare’s well-known works meet up in a single story?), but, delightfully, don’t give a sense of the creativity and free spiritedness of the production. The play has received additional press attention in a positive review by John Quinn of Encore Michigan and a feature article running in The Detroit News.
For me personally, the show was a delightful mash-up and reminder of a more creative side of theatre that I sometimes feel sad to not see very often in the professional world. This approach that I speak of is one that is not afraid of taking risks, rolling with the possibilities of a prompt or suggested activity, and being comfortable with the dramatic ambiguity or simply not knowing how a creative exercise might turn out. This was a hallmark of some of my most memorable improvisation and creative discovery based courses over the years, and in some cases, audience attending, such as at San Francisco’s BATS Improv.
In Good Men and True the four actresses (Jaclynn Cherry, Kez Settle, DeAnnah Kleitz-Singleton and Jackie Strez) perform confidently and comfortably as their roles undergo various switchups and moving of layers, literally and figuratively. Their vocal and physical inflections and character choices from the first moment on stage show a strong command of the material and willingness to take risks. I look forward to remembering the fresh and exciting feel of their play – and the associated creative confidence they project with the material – for some time.