So apparently I lied about being done with my moviegoing for the year, and this morning I ended up at the recently opened MJR cinema in Troy for a screening of Whiplash, a film I had tried to see a few times over the past month.
I think it’s very cool that MJR has their own theme song, a great nod to movie theatre traditions of the past. Here it is on YouTube:
The song reminds me greatly of the Loews Theatres jingle I grew up with, also viewable on YouTube:
Back to Whiplash…
The film is much darker than what I had expected, focusing right in on promising music student Andrew Naiman (Miles Teller) and his struggle to fit in at a prestigious music conservatory in New York City. Soon after his arrival, Andrew encounters a teacher (JK Simmons) who notices his talent, and recruits him to be part of an upper-level band. But Andrew soon learns that the teacher excels at pushing his students to the brink, in order to get the most out of them, and Andrew finds himself making changes in his life and becoming increasingly, fanatically, focused on the music.
The film evokes a complicated line of thought recalling mentors and teachers one might have had, and how much they pushed you/their students to be successful. A more subtle thread in the story looks at trust and forgiveness – if we are bothered by some thing or action that a person caused, can we even speak with or trust them again? And finally, how much do you/I/we want to achieve for a lifelong dream? I know I have felt all of those sensations at different times in my life.
Native Detroiter Simmons (recently interviewed by the Free Press about the film and his hometown connections) captivates in a demanding multifaceted role. Perhaps most impressively, just when I thought the film had closed up his character, and the storyline, a third act appears that turns his character around and fills in the shadings, while also setting up a provocative finale.
I wasn’t familiar with Teller prior to this film, although I see from IMDB that he’s become quite well known thanks to several big hits aimed at audiences slightly younger than me. He scores a 10 on the music scenes, thanks to his existing musical background and a similar ferocious intensity, but I felt that he didn’t fully inhabit some of the dramatic scenes of the film. Admittedly, that may have been part of the point, where the character was getting so consumed by his work as to neglect other parts of his life.
The supporting cast includes few well – known names, save for veteran actor Paul Reiser as Andrew’s dad. Reiser hasn’t changed from his affable presence as seen on 1990’s television and several films in that decade, and I felt that touch was just what the role needed, where his son faces such high personal stakes.
The film’s story is conducted in a broadly familiar way, and so I could tell where the narrative was going, with a few exceptions. However the intensity of the story is such a surprise, with a powerful punch, that I often still was on the edge of my seat. Hope that the film continues to stay in the awards season conversation.