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Falling Slowly Onstage

The touring version of Once: The Musical is now in residence at Detroit’s Fisher Theatre through February 15th. Since that’s just up the street from me, I attended their first preview performance on Tuesday night.

I’d forgotten that the play originally began its dramatic life at the American Repertory Theatre (ART) back in Cambridge. It’s not surprising that the play found further success, where ART has successfully repositioned itself over the last few years (under the shrewd leadership of Diane Paulus) as a major feeder of new or reimagined stage work into the Broadway and national theatre conversation.

Of course, Once takes its story from the movie of the same name. If you’ve seen the film, you know the basic story about the Guy meeting the Girl who inspires him to refocus on his songwriting and use his songs to convey his emotions… and that doesn’t change here on the stage. The play does, however, adroitly open up the story to more of an ensemble production, with a modest band starting the experience with pre-show songs and several scenes featuring ensemble members (either in one or multiple roles) interacting with the protagonists.

The play also creatively invites the audience to come more directly into the story, in that drinks are served onstage before the start of the show and during the intermission. My friends and I enjoyed the pre-show option, and I found it to be a fresh and fun way to get into the story, standing onstage for a few minutes with fellow audience members, and then being allowed to stay there for a few more minutes while the cast came onstage and began their pre-show medley.

I can’t say that the story creates a revelatory level of dramatic depth. But I would say that the play is worth attending for its fun and fresh onstage experience, and the chance to take in some very well-done acoustic songs in a refreshingly intimate story setting.

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