This week I had the pleasure of seeing one of my favorite actresses – and probably my favorite who is my own age – Rebecca Hall appear in a new film where she finally takes the leading role, after many films in high supporting or co-lead parts.
Hall dazzles in the titular role of Christine, starring as a determined reporter working her way up at a Sarasota, Florida news station in the summer of 1974. Christine openly and fiercely advocates for the professional positions she believes in, such as human interest stories and the actual art of the interview being something that is detailed and not brief, but she is constantly rebuffed by the male upper management of her station. It is hinted that Christine also suffers from an unspecified mental instability, which manifests itself in the paradox of her professional successes contrasting with her at-home life living with her mother and lack of additional social life.
The specificity of the story shines through choices in lighting, costuming, cinematography and sound design, all evoking a lurid (in retrospect) period of browns, muddy hues and too long or too straight hair. We also see a subtle but strong emphasis on gender politics and what the men in charge think the women (ranked below them) are capable of doing, vs. what the women actually want to do.
Through it all Hall carries the film strongly on her shoulders, with many specific character choices such as a lumbering walk, flat American accent, and shading the nuance between Christine’s tenacious professional ambition and interior hesitancy and tentativeness. The strands unify towards the end of the film as it leads to a shocking (but true to the real life story) conclusion.
Hall gives the strongest actress performance I’ve seen this year, though sadly I’m sure it will be overlooked come Oscar time.