Quirky, devastating, fantastic … But not all of the three combined
I had the pleasure of returning to the State Theatre in Ann Arbor yesterday (which I’ve decided is my second favorite cinema in Michigan) for a screening of the new independent film “Captain Fantastic” starring the versatile yet always independent minded actor Viggo Mortensen.
Upon arrival at the State, I learned from a poster in the lobby that the cinema will soon be closing for a nine month renovation and remodeling, and, among other things, intends to reopen with four reconfigured screens in its upstairs space. I felt some wistfulness at hearing this news, as part of the State’s appeal for me has always been its quirkiness, as opposed to its neighbor the Michigan, which always tends to feel a little too polished. Since this was likely my last visit to the State in its current configuration, I took a moment to document it. I still feel that what would really be good is if downstairs tenant Urban Outfitters moved out and their space could be fully restored to its former glory as the State’s main screen … But who knows if and when that will happen.
As for the film itself, it seemed to serve as a metaphor for a large family journey, once it got over an initial overbearing quirkiness in the story. Some of the later moments struck some particularly powerful notes, notably around a grandfather character solidly portrayed by Frank Langella and an oldest kid character portrayed by British actor George MacKay, whom I previously saw at the State in an underrated film called “How I Live Now.” Through the whole story Mortensen anchors the film with a mix of whimsy, subtlety and authority. I might have enjoyed the culmination of the story even more if it kept going down an unexpectedly bleak route, but in the end a turn back towards the whimsical and hopeful (yet still realistic and honest) wrapped things up on an appropriately thoughtful note.