It was a special treat this week to focus again on theatregoing instead of my currently more customary filmgoing. It was also intriguing and exciting to be able to see two world premiere plays right in my (relative) backyard.
First up was a trip back out to The Purple Rose Theatre in Chelsea, well-known for its founder, actor Jeff Daniels, and its role as a cornerstone of the economy in Chelsea, a small yet well-settled town that is more or less the end of the metro Detroit sprawl as one heads west towards Kalamazoo, Chicago and other south/westerly points. The “Rose” makes a point of presenting new work – their fall play which I had also seen was a first-time presentation – but this time they did things particularly well with a strong script and production. In fact, I feel this play was one of the best I’ve seen in the entirety of my nearly four years living in Michigan.
Smart Love told a relatable story of a recent widow, Sandy, who at first glance appears to be doing OK at getting on with her life following the recent death of her husband. We’re introduced to her in the midst of a night spent with new boyfriend Victor at her home, said to be in the Detroit area. Just when things seem like they’re going to continue in a pleasingly domestic manner, Sandy’s son Benji appears at the door, urgently knocking and urging his mother to let him inside, even though it’s the middle of the night and they haven’t seen each other for a number of months. Benji is a scientific researcher at MIT (coincidental for me as a Massachusetts native) and chooses to come back to Michigan as he is eager to share some new creative developments related to his career and research.
And the story unspools from there, in surprising and often thought-provoking directions. Never going too far into the provocation category, the play stays in realistic gravity thanks to Kamoo, one of this area’s finest actresses IMO, who sells every moment from surprise to tenderness to anger to contemplation and beyond. The rest of the cast holds strong with the material and the twists and turns of the story. The key dramatic questions stay grounded in humane and familial realism, which was helpful to me as an audience member.
The second show of the weekend enabled a very belated first visit to Matrix Theatre Company in southwest Detroit. This group is thoroughly grounded in the tight-knit community of the city, and I’d intended to attend one of their shows on a couple times during the past few years, but didn’t make it until now. This play, Intentions, by Abbey Fenbert, looked at a small community of residents in an intentional living house outside Chicago. I wondered at times how the drama would reveal itself, and at multiple occasions the scenarios reminded me of the on-campus housing environments at my own college, where issues of green living, creating with purpose, entanglements with housemates and questions of how to conduct oneself in the outside world are often hot topics.
A mostly youthful five person ensemble cast keeps the tables turning on each other, and the script knew how to keep things fresh without falling into tropes of just two people talking or the scene going on too long. While some story elements were fairly predictable in my eyes, there was an appealing continued emphasis on nuances and the value of relationships. Several scene transitions carried the story along in its silent moments, as well.
Overall an appealing pair of newer plays, each with their own quirks and appeal, that I’ll continue to remember and appreciate for their origins right here in Michigan.