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Those Times when Time seems to Stop

It’s gratifying to sometimes get the sensation (purely psychological I am sure) that time is moving more slowly than usual. Just one month ago today, I felt that feeling while visiting Laguna Beach, California, for the first time in my life.

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IMG_0479The sky opened up as my friends and I set a course down Highway 1, also known as the PCH. The traffic was modest and it seemed like most people in the area were still on their Christmas breaks. As we came over a hill, the expanse of Laguna stretched itself out in front of us, and it was exactly the layout that I had imagined and seen from film and photos. The native Southern Californian of our group decided that we’d take a look at the boardwalk, which was unsurprisingly packed with tourists and visitors. So we did, and we were lucky to find a spot… but the surroundings did not feel rushed or overcrowded. The Pacific extended out in front of us beginning with a beach several hundred feet below. It seemed to go on forever and there were many people on the beach just gently walking from point to point and enjoying the fresh air. I flashed on the contrast of the colder weather in Michigan, Massachusetts or some other location on that day and felt especially grateful to be there at Laguna.

We got back in the car and made our way through the crowded and surprisingly developed (to my first time eyes) downtown area. My friend wanted to take us to a particular favorite spot just south of town, and so we were able to make our way there, abutting a resort and what appeared to be a series of vacation condos. I didn’t have or want any particular sense of time and other commitments. In fact it seemed that time had deliberately slowed down for our outing, even though two people in the group had an evening commitment back closer to Los Angeles.

IMG_0106We gathered our picnic supplies and made our way down to the special spot. It did not disappoint. I felt so comfortable in the warm weather and casual setting that I decided to take a quick swim in the Pacific, admittedly partially to say that I had did it and done so at such a late point in the year. It was refreshing and had a strong tidal undercurrent, so I was careful to not get too far out. I suppose that time continued to pass as we sat there on the beach talking and spectating – the area became increasingly crowded after we arrived, with several memorable photo shoots seemingly lining up one by one to take advantage of the light and setting – but I stayed focused on the immediate moment.

At some point, as the sun began to go down, it became clear that it was time for us to pack up as well. I didn’t feel a sadness of leaving the moment, just a very strong appreciation to have been fully present in a way that seemed unique to that particular setting, taking in the majesty of the surroundings and the enjoyment of others’ company.

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The Best Original Score of 2014

Great commentary from friend Gabe on what I agree was the best and most distinct film music score this year.

basilmarinerchase's avatarGabriel Diego Valdez

https://www.youtube.com/watch?v=1mNVyS9jWq0

by Gabriel Valdez

Like industrial machinery puncturing the dead of night, like the oddity of hearing a baby cry in the house where you have none, like being sure of the rats in the walls, Mica Levi’s score for Under the Skin evokes our most primal reactions. That the film itself seems to trap those reactions under glass only to run tests on them makes the effect all the more disturbing.

Call it industrial, call it art house or avant garde, call it horror, I don’t much care.

I also know that no climax turns on a musical cue quite like that of Under the Skin, throwing the entire meaning of the film for a loop, inverting the roles of victimizer and victim by suddenly assigning the musical theme of our alien sexual predator to another: the more familiar sexual predator of our own world. And when our alien’s true identity is finally…

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Stormy Day back in The Homeland

Trying to keep up the daily posts, at least until the end of the month, so for today I will keep it brief and say that it felt weird to be watching my home state Massachusetts get hit by a blizzard while I went about my business in sunny and cold Detroit. Maybe it’s because the “expected” weather pattern is generally the reverse geography for the storms… but this winter has had its own plans.

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Theatre

Reflecting on Square One

Square One's original logo. Image Source: Wikipedia

Square One’s original logo. Image Source: Wikipedia

My favorite children’s television show, Square One Television, first appeared to the television world 28 years ago today. Happy Birthday, Square One!

The show remains conspicuously absent from the DVD collections market, most likely due to a complicated copyright involving (then) Children’s Television Workshop and (now) Sesame Workshop. A fan site, SquareOneTV.org, which I formerly contributed to, seems to have gone offline. So the show’s Wikipedia page provides a thorough overview of what each episode was like and why people like me grew so affectionate for it. (and so upset when it suddenly left the airwaves in the fall of 1994.)

In the summer of 2006 I had the chance to meet one of the show’s core ensemble cast members who was appearing in an off-Broadway show I attended, and wrote about the experience on LiveJournal:

I got a front-row seat and read the program before the curtain went up. I scanned the cast list and was surprised to see a cast member (Cynthia Darlow) from Square One Television, one of my top-5 favorite childhood TV shows, was part of this cast. She displayed just the same brasyness and captivating theatricality that she had displayed in the show, and was a stand-out among the secondary characters of the show. Later, I was waiting around in the lobby and she happened to come out from backstage. We made eye-contact briefly and I decided to take a minor risk and say that I loved her work on Square One. She smiled broadly and said she always is charmed that people still remember the show and that it was “one of her best jobs” of her career with a very tight-knit cast and crew. She is also always amused that people my/our age still remember the show and can tell her how they watched it compulsively when it aired first-run. Once again it felt good to take a risk of approaching a celebrity, especially when Cynthia was as friendly as she is.

Square One briefly reappeared on television screens around the turn of the millennium as part of cable network Noggin (a joint venture between Nickelodeon and Sesame Workshop) and its anthology series “The Phred on Your Head Show” – with segments from Square One intercut into the newer show, and perhaps most importantly, the show-within-a-show Mathnet, which was always my favorite part of the program, reappearing in full glory.

Mathnet

I was very excited to finally see the original Mathnet HQ in Los Angeles on a March 2013 visit to the area.

I owe a longer post on the enduring appeal of Mathnet – but it won’t be tonight! I will say that the show contributed greatly to my lifelong love of numbers and coincidences and mysteries and number sequences. And it indirectly introduced me to the theatre world at a young age, with one episode set in a Broadway house and all of the main actors coming from strong theatrical backgrounds.

I only realized a few years ago (possibly on moving to Michigan) that Square One included many references to Michigan and the University of Michigan Ann Arbor, where its creators attended college. So from an early age I had many little snippets of Michigan lore seeping into my brain, most notably centered around U of M life and my current area code, 313, which once covered the entirety of Southeastern Michigan. To that I just say… “wow!

And it’s a perfect segue to the other birthday I learned is today, which is the state of Michigan itself! 178 years young! MLive asks its readers to guess how well they know the state.

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marin county, Theatre

Closing Day at Grover’s Corners

Meanwhile back in Berkeley, California, today is the closing performance for the Shotgun Players production of Our Town. I was very pleased to be in the audience for this show on New Year’s Eve, and had meant to write about it here sooner… but it feels appropriate to give it a tip of the hat at the end of its run. Bay Area audiences were receptive to this particular version, as it extended two weeks from its original engagement and reportedly packed the houses throughout the run.

I knew going in to the show that director Susannah Martin (a past colleague) would probably bring her characteristically spare yet precise staging quality to the text. Surprisingly, as a native New Englander, this was my first time seeing the play live onstage. And the “once something comes into your life it reappears very soon” rule seems to be in full effect, as I will see it again in about a month in a high school production that a family member is directing, and am looking forward to comparing the similarities and differences.

with cast member and close friend Molly

with cast member and close friend Molly

This was a perfect play to close out the old year and bring in the new, with its themes of life and death and life events and the simple things that may or may not give way to big impact. It was the centerpiece of my short yet memorable visit back to the Bay Area itself, and I found myself appreciating the chance to take a moment and intellectually engage, in the midst of racing from place to place and attempting to cram as much as possible into a two day span.

The cast offered impressive ensemble work, led by Madeline H.D. Brown as the stage manager. I was initially drawn to seeing the piece after learning that theatre friends Molly, Don and Tim had central roles in the play, and they were supported by a skilled group of fellow performers, with El Beh a particular standout as Emily Webb. Again, like life itself, the play offered little snippets of events coming together (and in some cases falling apart), changes in families, questioning choices, regrets, delights, marriages, births, deaths, new beginnings and a sense of resiliency. Martin’s staging heightened the sense of everyday life, with the actors performing on a mostly bare set and occasionally sitting in or amongst the audience if they were not part of an onstage scene.

I deliberately chose a first row seat when I booked my ticket for the show, but I did not expect the side effect of intense and visceral engagement with the piece, and the art of telling a theatrical story, to come as a result of being right there with the action and the actors. As it was I found the play and the whole theatregoing experience that night to be a potent, inspiring and motivating reminder of what it is that we do as theatre/arts makers and why we do it. I’ll be continuing to remember that as 2015 unfolds.

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Movies, Theatre

Sometimes the time is right for a trashy film, and that time is usually January

Last night, a planned excursion to see Brighton Beach Memoirs for the first time ever instead became a trip downtown to the RenCen4 cinema to catch new release The Boy Next Door. Because it was that kind of Friday night, where I had a late realization of needing to blow off steam and do something more mindless instead of being verbally and intellectually stimulated.

As I walked into the Renaissance Center, I suddenly realized that I was also paying homage to Boy Next Door star Jennifer Lopez’s best film role (IMO), Out of Sight, which I discussed in a blog entry a year or so ago and features a key sequence (visible on YouTube and slightly NSFW) set right at the top of the RenCen itself. As I said in that prior entry, I felt that Lopez showed more potential in that film than in any of her pre-music film roles and would be interested to see a parallel universe representation of a world where she only focused on film acting.

But this is 2015, and Lopez is, of course, a multi-hyphenate entertainer and now “celebrating 20 years in the business” (more than that, really) according to at least one promotional article I saw about this movie. I do wonder what today’s teenagers must think of her, and if they even consider that she’s had a movie career. In contrast, I first saw her on film when I was 11 in one of my first R-rated movie in-the-theatre viewings.

Lopez also served as a producer on The Boy Next Door, and spoke in the press of feeling resonance with the script. But I wondered how much she saw in it actually made it into the finished film.

The story immediately zeroes in on Lopez portraying Claire, a separated mother of one teenage son, Kevin, and a literature teacher at her son’s high school. Claire is navigating the feelings of being in her 40’s and wondering what comes next. Her husband, played by John Corbett, comes around occasionally to see their son, but the mood is uneasy (and hastily explained!) between the spouses after a recent cheating scandal by the husband. It’s the perfect situation for nice new neighbor Noah (Ryan Guzman) to make an entrance and assume the role of kindly neighbor, mentor to Kevin, and initial lust object for Claire. The film’s trailer (and nearly all of its marketing) is highly transparent about where things go from there, and so I’ll leave my synopsis at that, except to add that stage star Kristin Chenoweth makes a rare screen appearance in a supporting role as Lopez’s BFF and senior administrator at their high school.

Lopez brings a mostly bland presence to the central role, although she certainly still looks good, and seems to be having fun with a few moments in the story. The plot detail of her being a classics teacher allows the script to inject a few bits of thoughtful and winking intelligence, particularly around The Illiad. Chenoweth adds some sweet and tart character-filled spice to her scenes before getting pulled into a predictable closing arc. Guzman possesses the swagger of his character from the first scene onward, but adds little acting nuance. Veteran Corbett isn’t allowed to make much of an impression.

It seems clear that the film has a future as a camp classic, and that’s exactly the lens that I chose to view it through. There wasn’t really any other option, since plot twists fly in and out like the wind, characters disappear and reappear at random, and there were several examples of very abrupt jump-cutting from one scene to the next. One case in point: the film decides that it wants to have the three men in Claire’s life all hang out together. But they just get one short scene to do that. Director Rob Cohen, a veteran in the Hollywood industry, shows that he hasn’t lost his action movie skills in several random but well-staged car chase sequences. I particularly enjoyed the initial setup for the film’s finale, in which one character thinks they are tailing the other, but that is not the case, and Cohen reveals the truth with a taut panning shot worthy of a Hitchcock movie or more nuanced mystery. The film shows its modest budget at times in the staging of scenes with few extras and not using a huge variety of locations.

If not for Cohen’s steady grip on the lens, this film would likely be even more forgettable. It’s good to see Lopez back on the big screen and tackling an age-appropriate type of role. I can’t view the film strongly due to its cluttered narrative and cheesy plot. But ultimately it fits right in to that DVD discount bin of films that are kind of fun (if you don’t want to admit it and/or think too hard) and perfect for a particular moment when you want to sit back, relax and enjoy a new project from a familiar star.

MY RATING: **

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Movies

Sneak Preview and Canadian Filmgoing Recap

I wrote this post back in December but only just re-discovered it on my hard drive. This film still awaits a US release!

Silver City CinemaSERENA, which I caught over the border at the Silver City Cinemas in Windsor, a place that seems very far away at this writing, has yet to be released in the US, and has been plagued by financier problems since it was shot early in 2012. The director, Suzanne Bier, is rumored to have been uncertain about the tone she was going for and how to tell the story. And some of that uncertainty exists in the final cut that I saw, which lurches awkwardly from sweeping epic to intimate drama and doesn’t seem to have a through-line of dramatic tension or objective. Curiously, Cooper comes across well in the piece, although he should have done something about his mussy modern hair. He projects a solid double-edge to his character, who is meant to be a somewhat conniving townsman. I’m sure that another, perhaps older, actor would have added more depth, however.

Serena PosterAs for Lawrence, she’s really got to stop going into roles that are written for characters older than her early 20s real life age. This time, her character, the titular role, is meant to be the fulcrum from which everyone else revolves. She has flashes of intensity and ulterior motives, but it is inconsistent. Where Lawrence also became so well-known so quickly after hitting it big in 2012 or so, she may be running the risk of typecasting in that the audience expects her to act jovial. When she sticks to drama, as is the case here, it feels less genuine. The collective consciousness may have forgotten that her earlier roles – Winter’s Bone, The Beaver and others – were in fact highly dramatic.

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Long form Throwback Thursday: Eleven years ago, we were stepping out of time in New Zealand

Remember the era of writing long emails to a select group of family and friends, when we weren’t all quite as instantly connected? I did just that in January 2004 on a Hampshire College outdoors trip to New Zealand, which focused on sea kayaking and hiking. Below is a selection from the second group email I sent on January 23, 2004.

…we boarded a van for a new journey across the mountains to Nelson, an artistic northern center of the South Island and gateway to the adventurous activities of several national parks in the area. We stopped in the downtown city area of Nelson (near the sea) for a few hours and I was impressed by the incredibly cosmopolitan and independent spirit of the downtown. Street performers and art exhibitions were everywhere I could look and everyone walking along the main street seemed very happy to be there. The historical British influence was certainly more direct there, with “Trafalgar St” being Main Street and several bands sounding just like British pop. A few hours later we continued the journey in the van up a nozzle of the coast to the Abel Tasman National Park, likely one of NZ’s most popular national parks and especially crowded in the summer months. The next five days were to be spent in the park “tramping” (hiking) from north to south, opposite the traditional tourist track.

Snapping a photo of my classmates on a memorably narrow bridge along the trail.

Snapping a photo of my classmates on a memorably narrow bridge along the trail.

I knew that we were in for something different and exciting as soon as the journey began the next morning. We boarded a water taxi (small boat) that was towed by a tractor down to the ocean shore, and then became self sufficient to drive us completely up the golden coast of the park. We passed high bluffs, rich surf, and several seal colonies en route to the top of the tourist track. The entire coast of the Tasman is a rich fine golden brown, unlike any other type of sand I had ever seen before. It was immensely refreshing to swim in after a hot day and beneficial just to look at when the route got sweaty. We began the tramping that day with a northerly loop around the park’s less-travelled northern quadrant. The track, or road, that we followed stayed quite close to the coast through several beaches and low sea forests. Eventually we reached a place called Seperation Point, which is one of the most northerly points of the South Island and had a quiet calmness to it as we gazed out from the rocks at the open, endless horizon to the north. The next day was a steeper incline up and down a large “hill” heading back to the coast but ultimately was no less rewarding. As we climbed the track, we could only see on the right side doughy bog-like marshland and water, and on the left was semi-Alpine green forest that snaked around back to the shore. Nonetheless it was very welcoming to get back to the water after hiking in the heat of the day. We stayed that night at a very family-oriented camp ground where at least 15 children biked through after dinner, asking us to help them with equipment for the hot scavenger hunt of the evening (which meant requesting books in a foriegn language, foriegn passports (!), and objects that could be used to make goods.) On the third day of tramping, we began to merge into the more commonly and frequently traversed coastal track. It was a LOT of hiking, at least 11 miles. The high point of that day was a coastal crossing that had to be done at least 1 1/2 hours before high tide otherwise it would flood. We ended up crossing in water anyway, which felt like a clamming trip in the bogs of the shore (and indeed we ended up stepping on several hundred clam shells.) It was a great delight to finally reach the campsite that day, even if it was raining. The next day brought another, shorter, estuary crossing and lots more of coastal beach scenery that also managed to mix in with the forest. I was intrigued by the dimensions and dynamics of a bridge that could only hold five people one way at a time and was swinging at least 50 feet above a river; the trail itself quickly plunged back down to semi-coastal level. That night, it was again a delight to be able to sleep right on the beach and be rocked to sleep by the energetic waves. The final day of tramping felt like coming full circle. The trail continued back down to where we had been before, and this time it was finally at a level gradient along the water. We saw endless blue and much boat traffic navigating the seas to the left of us. Eventually five short pedestrian bridges signalled the end of the line. Many of us had blisters from the tramping experience but I highly doubt that anyone was in bad spirits cause of the energy and faith of doing things together as a team.

An especially memorable sunset earlier in the New Zealand trip.

An especially memorable sunset earlier in the New Zealand trip.

The taxi returned to drive us 250 miles through snakey mountains and dramatic oceansides down the west coast of New Zealand. We saw more farmlands, wineries and even a whitewater rafting river before the road came alongside the ocean again. This time we were bordering the Tasman Sea, but the waves had all the energy of good Pacific hits. We stopped briefly at a tourist attraction called the Pancake Rocks, where large amounts of rocks have been so windswept and weather beaten, they have gradually become part of the sea, and eroded down into pancake shapes. Meanwhile the land surrounding them has started to sprout blowholes where water sneaks in to a small crevasse at high tide and then erupts back up as if part of a geyser. We continued down the coastal road to Greymouth, the West Coast’s hub city, for a two day stay. The locals call the west coast area New Zealand’s “wild west” and it was somewhat painfully obivous to see why. Greymouth was somewhat creepy and well past its prime, perhaps like an abandoned mine town might be in the Western United States. It only had a small town center that closed up shop every night at 5pm and no one seemed to go out of doors after then, even though the town is positioned at the mouth of a gusty river that guarantees great coastal views. The next day we found something to write home about in the town by participating in a “caveing” experience through an adventure company. We put on wetsuits once again and were bussed up to the hills to a deep subterranean cave. A guide led us through an experience of rafting by glowworm light, swimming in COLD water and hiking along different rocks. It was fun to see, but not unique, and I felt like the group was a little cast aside when two following tour groups came into the cave to do the exact same activities.

We left Greymouth via train on the spectacular TransScenic railway that is the most efficent connection between the East and West coasts of the central part of the South Island. It was a special thrill to sit back and feel the steam machine climb up the mountains to Arthur’s Pass, a small township and national park nestled right in the middle of the Southern Alps. The peaks and some of the villiages look almost identical to Switzerland, so the resemblance from place to place was very overt, and resonant. We spent one night in Arthur’s Pass, which is exactly like a charming Swiss villiage, only nestled here in the middle of the South Island instead. A small array of services and crafts line the main street, nestled in a ridge between high peaks with names like Avalanche Peak and Rollaston Pass. Disappearances of hikers are sadly not that uncommon there. The town itself had a pleasant character, with many natural amenities including a 50 foot (or so) tall waterfall that I saw on a short hiking experience today. We continued the journey on the train this afternoon, finishing the route back to Christchurch along mountain peaks, farmlands, and flat plains bordered by icey rivers before hitting the metropolitan area of the city for one more time. And indeed it is down to the last hurrah, as our journey home begins tomorrow (the 24th) at 1:30pm, but due to the “magic” of the International Dateline, will only conclude early morning of the 25th. It will certainly be a jarring temparature change, and probably the longest day ever (48 hours) for several of us. Then will get to have less than 24 hours back at home before returning to Hampshire, so hope the transition isn’t too abrupt…

Our intrepid group of travelers.

Our intrepid group of travelers.

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Theatre

Making good on an intention, just like my mother taught me

Last weekend I visited Meadow Brook Theatre on the campus of Oakland University for the first time. Their website proudly states, “as Michigan’s largest producing professional theatre, we are committed to bringing the highest quality of entertainment to southeastern Michigan.” The company enjoys a very strong reputation in the local theatre community among patrons and artists, and so I was pleased to finally make it over there for a show. It felt great to be living up to my intention of returning to seeing more live plays in 2015. I’m eagerly looking at ways to turn the theatregoing back into an at least once per week activity.

The play, Things My Mother Taught Me, is a sweet natured look at modern family relationships and how to navigate continued family connections in a media-saturated age. It isn’t a particularly deep script, but there are many “oh yeah my family does that” type of moments that viewers will nod in acknowledgement of. At least that was the case at the performance I attended, with many incidents of laughter and chuckling.

The genial tone followed through into the storyline, where we meet a young couple, Olivia and Gabe, who are completing a quarter-country move from NYC to Chicago. They are joined by BOTH sets of their parents to get them settled in, and inevitably, that complicates matters in simple and detailed ways for everyone in the apartment! But it’s not a spoiler to say that things right themselves in the end, especially for the young lovers. And the show itself “puts a ring on it” with an awesome live Beyonce dance montage that finds all of the cast members having a ton of fun moving around with ease and delight.

The show takes pleasure in the little things of life, both happy (finding a commonality or surprise) and challenging (trying to find a common ground over a disagreement or argument). The capable cast seems to be enjoying the pleasure of each other’s company. And for the audience members, I hope that the show reminds them, with a smile and a raised eyebrow or two, of the joys, eccentricities, challenges and rewards of living a modern life, where you can chose your own adventure but you can’t chose – and you can always embrace – your family.

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Movies, Theatre

Appropriate Behavior and Familiar Faces

For the second year in a row, I had an experience of watching someone I knew “way back when” act in her feature film debut that is attracting significant industry attention and critical praise. This year it is Desiree Akhavan, last year it was Lupita Nyong’o. Both connections stemmed from my undergraduate years at Hampshire College.

Improv ClassAkhavan and I were two of ten students enrolled in a highly memorable (IMO) semester long study of improvisation (pictured at right) at Smith, which maintains its official status as a women’s college but welcomes students from the other four colleges in the region (Amherst, Hampshire, Mount Holyoke and the University of Massachusetts at Amherst) to take courses that might augment their studies at their home school.

In this particular class, taught by now professor-emeritus John Hellweg, the setting and the content were equally rewarding and challenging. We met once a week in the college’s boathouse, which doubles as a classroom, and went well beyond the familiar scope of improvising (comedy) into exercises that had considerably more meaning and depth. Elements of mysticism, storytelling, masks and inventive chose your own adventure were all part of the journey. We also expanded the role of the classroom, frequently leaving the boathouse for site-specific exercises such as seen in the photo above, near the college’s campus center. The class inspired me to incorporate elements of improvisation into my directing and character – building work, and I haven’t forgotten about that process today, even though my theatre work tends to be more in the front office than the rehearsal room.

It doesn’t feel easy to put into words what the experience is like to watch someone you knew earlier in their life on a big screen, though I am sure others have had similar feelings. Somewhere between awe, surprise, amusement, pride, acclaim, a little envy, some memory, and ultimately an appreciation. Those feelings all came to my mind as I enjoyed Appropriate Behavior, Akhavan’s feature film debut in a writer/director/lead actor trifecta. The film continues to play at Cinema Detroit this week and I’m pleased that my neighborhood cinema is one of a handful of theatres nationally showing the film.

Akhavan stars as Shirin, a 20-something Brooklyn resident struggling with personal identity issues after breaking up with Maxine (Rebecca Henderson), an at times forceful partner whom she “met cute” at a New Year’s party at some point in the recent past. Shirin aspires for a career in the film business, but after taking on a promising lead from a friend of a friend, she finds herself serving as a teacher to an afterschool program of very young (five year old) aspiring filmmakers. The events, along with her ongoing debate on if and whether to come out to her immediate family, add to a continuing sense of questioning for Shirin. But, with an assertive and bold temperament, she doesn’t sit around and mope, and part of the fun of the narrative becomes going along with Shirin to see what she does next, and how Akhavan’s own fresh writing deftly navigates gender, cultural and social stereotypes and expectations while putting a new spin on them against a contemporary New York City backdrop.

The film’s low-budget backdrop is apparent in some technical aspects of the story, such as lighting and sound, but doesn’t detract from the narrative. I might have appreciated some more clarity in the time shifting aspects of the narrative, but am not sure how that would’ve been best conveyed. As it stood in the finished film, it was sometimes difficult to tell where the action was in the linear timeline, and so it became like a mental jigsaw puzzle to put the different scenes together. Not a problem for me, just could have been smoother. Akhavan showed a committed hand in the direction of the film, eliciting assured and sharp performances from the whole ensemble along with herself. She demonstrates no hesitation in showing herself/the character in a potentially unflattering light, and ultimately, that added to Shirin’s endearing appeal and relatability, and is surely connected to why multiple press outlets have picked up on the film and her current contributions to pop culture.

And so how could I be anything other than impressed to see someone I knew way back when receive acclaim, interest and curiosity for her long-form debut? Here’s hoping that Akhavan has more stories up her sleeves and continues writing and producing in her assured, distinctive voice.

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